Guangxi craftsmen who repair damaged utensils- repairing not only objects but also emotional connections
In an interview conducted on October 20th in Nanning, Guangxi, we explored the world of a talented artisan dedicated to the craft of repairing broken artifacts. The topic is fascinating: the ancient art of “kintsugi,” which involves the meticulous restoration of shattered porcelain and glassware. As modern society advances and alternative materials become more prevalent, this traditional craftsmanship faces the risk of fading away.
Zhong Qimin, nearly 50 years old, has established a studio in Nanning that specializes in the repair of damaged items. Throughout her years of restoration work, Zhong has come to believe that repairing these objects is akin to preserving memories and moments in time.
“I have a fondness for handcrafted work that traces back to my grandfather,” Zhong shares. “When I was young, I would assist him as he created and repaired furniture. As I grew older, I began helping friends and family fix various items as well.”
Initially working as an accountant, Zhong stumbled upon the world of kintsugi by chance. Captivated by the craft’s ability to restore broken porcelain to its former glory using tools like drills and brass nails, she felt an instant connection. “I found it amazing that simple little nails could bring shattered vessels back to life,” she recalled.
In 2016, she pursued training in Shanghai and Wuhan, honing her skills. Slowly but surely, more people began to seek her expertise for their repair needs. By 2019, she committed herself fully to becoming a restoration artist, turning her passion into a profession.
Typically, the processes for repairing damaged objects divide into “kintsugi” and “ginsan.” Kintsugi involves stitching broken porcelain pieces together with lacquer and brass nails, while ginsan utilizes natural lacquer as an adhesive and uses gold dust or leaf to beautify the seams. The choice of method depends on the item’s intended use, material, damage extent, overall style, and the customer’s personal preferences.
“For instance, when repairing, I have to consider various factors including the size and depth of the nails, as well as the original shape of the object. It’s essential to align with the damage’s direction to determine how and where to place the nails, ensuring the integrity and durability of the repair,” Zhong explains.
Over the years, countless objects have been restored to life in Zhong’s capable hands. She believes that kintsugi is more than just physical restoration; it embodies the emotional connection that the owner has to the item.
“Recently, a customer brought in a plate that belonged to a family elder for restoration. He was very pleased with the results and said he wanted to pass it down through generations. Many of the antiques I work on hold significant sentimental value for their owners, and this connection transcends monetary worth,” Zhong notes.
Determined to spread awareness about this art form, Zhong has launched accounts on various social media platforms where she documents her restoration processes. She also offers free public courses on ceramic repair and hosts small exhibitions in her studio. Understanding the need for the preservation of this ancient craft, she hopes to inspire more people to carry it forward.
“This skill is still quite niche. Everyone knows the saying ‘If you don’t have the right tools, don’t take on porcelain work,’ but not everyone realizes it refers specifically to kintsugi. As someone engaged in this craft, I feel a sense of duty to raise awareness and encourage more people to get involved in this beautiful tradition,” Zhong emphasizes.
